Let me begin by stating in no uncertain terms, I like Hellboy. Very rarely do we have such a good creepy, horror-tinged corpus of work which becomes mainstream. I like his work, by and large.
So, the Right Hand of Doom, is a kind of collection of short stories written and illustrated by Mignola to explain the back story of Hellboy, more specifically, his giant stone hand. Since it is repeatedly alluded to that Hellboy is the Beast of the Apocolypse, and will bring about the end of the world, his hand is also alluded to be the key to that end. Hellboy, in common character spits out the occasional skeptical remark or “oh crap” in between various strangeness intersperced with villans going on and on about what they’re going to do w/his power and what he should be doing w/it. All in all, its alright. But there is very little suspense, or intrigue, as is par for the course w/Hellboy. There is less emphasis on character and dialogue, and much more on imagery and esoteric weirdness. I chose dialogue, even though I already stated that there are speeches made by the villans to Hellboy at various points, and they are just that, speeches. It feels like they are talking more to themselves, or to the reader, than to Hellboy. This is exasserbated when Hellboy tosses out the odd skeptical comment like “oh yeah?” and the like. He seems uninterested what they have to say. I guess keeping them talking distracts them, I imagine that would be useful when fighting monsters, keeping them distrcted. That is one of the charms (?) of Mignola’s horror comics, they are full of creepiness and dark imagery and subject matter, but they rarely have emotional moments. I guess when they do, this makes them more poiniant, such as Roger’s almost sacrifice in Conquerer Worm, or the story told to Hellboy by the dead alien (I happened to very much enjoy that, makes me wonder why Mignola can’t do it more often). But by this detachment, I don’t care much for the charactes, as I can’t identify with them. Odd, because they are such blank slates, they shoudl be ripe for projection, but they don’t seem to need any. Its less a story about “What’s gonna happen to Hellboy now?” and more about ” What weird things are going to happen now?”
Maybe I’m being to harsh, but I felt that the movie gave more character to the character than all the comics I’d seen.
6 out of 10